Last week, I described what I think is a significant perilous trend facing history and the American culture through the process of hypehnization. I argued that identity in a society nominally based on We the People and e pluribus unum was being replaced by one where people self-identify as hyphenated Americans, with corresponding history classes and museums to reflect these differences.
Diversity resonates in New York history. Take William Johnson, the the British royal agent in the 18th century, and an Irishman. His European world consisted of Dutch, French, English, and German (Palatines), all of whom were distinct from each other, as demonstrated for example, by the French and Indian War. Continue reading “The Hamilton Musical and America’s Future (Part II)”→
On September 30, the recently reopened historic Capitol Theatre in the village of Port Chester in the Town of Rye, in the county of Westchester, founded in the days of vaudeville, beloved by the Grateful Dead, rechristened by Bob Dylan, and just host to Willie Nelson, hosted Flashbacks.
A musical to the history of the town written by local sisters and educators Camille Linen and Donna Cribari, Flashbacks tells the story of high school students who complete a historical multimedia project and are drawn to the local river that mysteriously produces figures from the town’s past as primary source documents. Continue reading “What Works: Flashback to Your Community’s Heritage”→
We are a story-telling species. We tell stories through various media which have changed over time as our technologies have changed. In ancient times the common modes of expression included the verbal story, art, dance, and music. These forms still are in use today. New forms have been developed and the ways of communication for millennia have evolved at a speed that is both wondrous and frightening to behold. Continue reading “Circle of Life: Performance Art at the Cosmic Center”→