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What Are History Societies Doing and What Can the Regents and Governor Do to Help Them?

George Bailey Contemplating an Alternative Reality

Courtesy of Wikipedia

If a tree falls in the woods and no one sees it, has anything happened? If an historical society does something and no other history society knows about it, has anything happened? I am not referring to the lectures, tours, and exhibits which history museums and societies routinely do. Instead I am referring to something a little out of the ordinary, the kind of item one might present at an APHNYS or MANY conference.

The dissemination of ideas is difficult. There is no easy way to accomplish the task. Certainly notices can be published and distributed. The reality is many municipal historians are not members of APHNYS and APHNYS does not have a way of advising its members of best practices or innovative ideas. The same is true for history organizations and MANY. Even if one does present at the annual conference, only some of the members attend and even fewer attend an individual session because there are concurrent sessions. So there is no easy way to share original ideas or actions that go above and beyond the call.

Since I read New York History Blog, I read about many events in the state including ones I cannot possibly attend. For me to go to upstate for a single lecture, tour, or exhibit is a misuse of my time. However, I do attend various conferences and will be reporting on some of them.  Since I distribute my own blog, I also am the recipient of newsletters from history organizations. Sometimes they arrive as enewsletters, sometimes as emails, sometimes as Word or PDF attachments, and sometimes by mail. By no means do these notices cover the state, but they do provide a window into what’s going on out there.  In this post, I would like to share some items that I consider to be a bit unusual and worthy of attention. This is not a scientific survey nor is it comprehensive. It’s just some excerpts from the random notices I have come across.

Greece Historical Society

The annual report for 2016 of the society states:

The all volunteer Society’s purpose is to collect, preserve, research and share local history with the community. We strive to provide the community with an awareness of the past, an appreciation of the present, and a vision for the future, giving a sense of “roots” and a greater feeling of belonging.

Clearly this society operates under the Tonko vision of local history and not the Cuomo one. I suspect pretty much every local society has in its mission statement and/or annual report something similar to what the Greece Historical Society has.  If that’s the mission, then shouldn’t tax dollars be aimed at helping it fulfill that mission rather than to call for the Greece Historical Society to become a tourist destination site for busloads of Chinese?

The Society reports that it held eight monthly Tuesday evening lectures featuring local historians, authors, and humanities scholars in 2016 averaging 85 guests per evening. While no individual lecture deserves mention in this post the cumulative effect of lecture programs does. These numbers mean a total of 680 people participated in the lecture programs of this one society. What would the state-wide total be? Does anyone have any idea how many residents and visitors from nearby communities both individually and through repeat attendance are connecting to local history through lecture programs?  I recall one dark and cold February night attending a lecture at the Mabee Farm location of the Schenectady Historical Society where I could just barely find a parking space since well over 100 people were there (I was on my to a conference starting the next day so I was able to attend. I did not drive from Westchester just for it!). Did I mention it was a dark cold night in February? With snow on the ground? At a site not on a main well-lit road but on a narrow dark one? It’s not quite, if you offer it they will come, but overall I would say there is little appreciation or even awareness for the numbers of people who collectively attend lectures through their local history societies. Remember the Lyceums? There still are buildings with that name in many communities. Remember Chautauqua and the circuit Chautauquas that barnstormed the country like baseball teams and circuses use to do. Not everyone is trapped by their electronic devices. Sometimes people like to be with other people in a social and intellectually stimulating setting that reaffirms community identity.

Lock 52 Historical Society of Port Byron

In response to the post New Approaches for Historical Societies and History Museums by Bruce Dearstyne on March 21, 2017 for New York History Blog, Mike Riley, the president of the Lock 52 Historical Society of Port Byron, expressed the concerns of history societies throughout the state.  He specifically referred to suggestions made in the post about what history societies can do.

(T)here is the realization that with 8 volunteers who average in age of 75 to 90, it is unlikely that any (of the suggestions in the post) will be adopted. We are in a slow death spiral to the day when we close the doors for good. We can look back and say that all these good folks started helping the society when they were in their 30’s to 50’s, and they remain as the foundation for anything we do. There are no new 30, 40 or 50 year old’s taking their place. And as the folks age and pass, the open hours get cut, or the displays don’t get changed. It becomes a fight for life, attracting visitors almost becomes secondary, which of course harms us greatly, I really don’t know if there is an answer. As a society we just don’t value these civic engagement activities as we use to. I know I am not alone. I am in a race to digitize photos and get them out there on the web so at least if the Society closes, some of the history will be saved and available to people. 

Clearly Riley belongs to the Tonko side of the vision of local history as an essential component of the social fabric on the community. Clearly also that fabric is fraying. There is a need to rethink the standard history society model especially as it relates to the large number of small municipalities throughout the state. It is time for some new thinking about the position of the municipal historian, the municipal history society, the local library, and teacher training and the school curriculum and their intertwining. Here is where the history community really needs leadership from the Regents and the Commissioner of Education. 

Putnam County Historian (technically not a history society)

The historian’s office held a free digital scanning initiative to secure military memories of the past for future generations. Local families with military memorabilia are invited to make appointments through the County Historian’s Office to have old letters, documents, photographs and assorted military memorabilia scanned and recorded on a memory device such as a USB or burned to a disk, free of charge. Being the repository for the memory of a community, doesn’t simply mean waiting around for people to dump things in your lap. It is legal to be proactive. In fact, if the regulations for municipal historians are ever rewritten, I would include a requirement to be proactive. How many people would want the job then?

Warwick Historical Society

Once upon a time back in 2013, a group of 4th graders were digging behind one of the historical houses of the Warwick Historical Society. This time besides the usual bits and pieces of commonplace objects, they struck paydirt, a decorated brick. As the work continued in 2014 with two ‘archaeologists,’ average age 76, unearthed the wall of home of “Rocking Chair Benny Sayre.” Sayre (1865 to 1940), the keeper of Baird’s Tavern across the street. George Knight, one of the excavators also was busy cleaning up his own grounds. One type of item frequently found was small bottles.  “Warwick back in the day was higher than a kite,” said Knight. So it seems. These little bottles were considered medicine that, not unlike today’s Oxycontin, turned out to have a serious drawback. “We had a substance abuse problem here over 100 years ago,” said Warwick town historian Richard Hull. “In the 1890s up until World War I, there’d be itinerant merchants who’d come into town to sell elixirs to relieve pain, headaches, relieve depression and so forth. They spiked these concoctions, so that when they sold them people became quite addicted in some cases,” he said. The Women’s Temperance League may have been a response not only to alcohol abuse, but also to these un-talked-of habits. Everyone likes to ogle the opium bottles. They’re scintillating in a way that stone walls just aren’t. That bugs Knight, although he’s good natured about it.

The historic society wasn’t always this go-go-go. “As you can imagine, it was very dry,” said President Mark Kurtz, who stopped by the dig. “There’s become excitement, with the kids that visit.” Every fourth grader in the Warwick school district takes a tour every year, and the middle school just launched a Sustainable Architecture class that will be taking a field trip to the historic society’s properties.  “We’re starting a bunch of brand new reach outs to the school district,” he said. “The point is to make this history become important to people, and that’s the time to reach them.” Lisa-Ann Weisbrod, the society’s new director, said, “It’s amazing how much is going on. It’s a historical society. How busy can it be? It’s crazy.”

This report from the society’s website entitled What’s under Warwick highlights several important developments

  1. the creation of a monthly enewsletter by the Orange County historian Johanna Yuan reporting on the activities in the county, something all county historians should have to do as part of the job.
  2. the outreach to the schools in a literally hands-on experience – which will not stop at 4th grade as the junior archaeologists track the project through the duration of their k-12 education (and then become members of the historical society as adults)
  3. the funding issues the Society experienced for support of the dig versus stabilizing a building
  4. the unusual nature of the Society which owns multiple buildings and is creating the equivalent of an historic district for the residents of the community to experience.

Chalk up another one for the Tonko vision over the Cuomo vision.

White Plains Historical Society

The society compiled a list of 20 streets named after American Revolution figures. I write about the importance of a sense of place as an essential component to the health of the community. One way to foster a connection between residents and their own municipality is to know not simply the name of the streets of the community but the reason for the name of the streets. While the naming of streets after military (and political) heroes might seem obvious, it also is true the residents of communities today don’t know the why streets and buildings have the names they have or why statues were erected (unless Confederate). History societies have the opportunity to engage the public in “Why that name?” Even numerically named streets or tree-named streets are cultural clues to the thinking of the people who named them. The grid in Manhattan is the most famous example but smaller versions exist in many communities. It is not just coincidence that there are a lot Maple, Elm, and Walnut streets either. We can learn about our past by understanding the names that were bequeathed to the organization of space.

 

As I mentioned at the onset, these examples aren’t meant to be comprehensive or inclusive. Nonetheless they represent a good cross section of the trials and tribulations on the history community at the grass roots level and the exemplary efforts by volunteers. A little help would be nice.

Funding Women: The Award Winners

New York State Museum Exhibit

The new cycle of REDC funding is beginning. I received an invitation to attend the Mid-Hudson session on April 25. New York is having a public session the same day so I imagine the regions throughout the state are gearing up to plan for the 2017 awards.

In my posts I have been reviewing the awards from 2016. So far I have presented those granted by NYS Canals
History Anniversary Funding and part of I Love NY in two separate posts: Show Me the Money and I LoveNY Funding.

In this post I am turning to those related to the centennial of women’s suffrage in New York. While the grants can be from multiple state agencies, the bulk of them are from the New York State Council on the Arts and relate to exhibits. The funding definition in the REDC awards guide is:

Funds are available for arts and culture initiatives to eligible non-profit and local units of government. This Local Assistance support is provided under Article 3 of NYS Arts and Cultural Affairs Law for the planning, presentation and staffing of the performing, literary and visual arts that encourage broader participation and public interest in the cultural heritage of NY State and promotes tourism and economic development. Funding Programs: Arts, Culture, Heritage New Initiatives – Planning (CHPG P); Arts, Culture, Heritage New Initiatives – Implementation (CHPG I); Workforce Investment (WIP): $5,000,000 [available in total].

The examples also are suggestive of what might be available for World War I exhibits for next year.

The major award winner as one might expect was the National Women’s Hall of Fame. It received four different awards from different state agencies in a total of $1,175 million. A significant chunk is for the rehabilitation of an abandoned mill across the street from the NPS site.

The awards listed below are copied directly from the REDC publication which is available as a PDF. I mention this because you will see various spellings throughout the examples including at times within a single award. These spellings are:

National Womens Hall of Fame
Womens Activism
Womens Rights
Womans Suffrage
Woman’s suffrage
Womens Suffrage
Women’s Suffrage.

I have no explanation for the use or non-use of apostrophes or the singular versus the plural form.

Bronx

LeAp’s
Leap Womens Suffrage Commemoration
LeAp will celebrate the NYS Women’s Suffrage Centennial by exploring woman’s suffrage through the lens of the “Struggle within the Struggle,” a dramatization of the historical experience of women of color having to break through systems of oppression to achieve basic human rights.
Arts CHPG I         $45,000

Columbia

Shaker Museum
Exploring Shaker Ideas and Actions on Womens Rights: A Celebration of the Centennial of Womans Suffrage
The Shaker Museum at Mount Lebanon engages and inspires local, national, and global audiences by telling the story of the Shakers. In 2017 the museum’s programming will celebrate and explore the Shakers’ ideas and actions around women’s rights, and the lives of the women who lived at Mount Lebanon.
Arts CHPG I         $41,500

New York

Museum of the City of New York
Beyond Suffrage: 100 Years of Womens Activism in New York
In September 2017, the Museum of the City of New York will present Beyond Suffrage: 100 Years of Women’s Activism in New York. The exhibit will trace women’s activism in New York City from the suffrage movement through today and will include a focus on women activists who lived and worked in Harlem.
Arts CHPG I         $60,000

New York Historical Society
New York Womens Suffrage Exhibition
The New York Historical Society will celebrate the centennial of New York State signing women’s suffrage into law through a special satellite exhibition and audience engagement effort on Governors Island, curated by NYHS’s Teen Leaders in collaboration with the new Center for Women’s History.
Arts CHPG I         $75,000

New York City

Center for Traditional Music and Dance
NY Voices/NY Votes
NY Voices/NY Votes celebrates the legacy of the women’s suffrage movement through a series of pop-p festivals that bring the conversation about voting rights to diverse communities in Opportunity Zones by combining voter registration with arts/humanities programming, and employment/social services.
Arts CHPG I         $75,000

Onondaga

Everson Museum of Art
Seen and Heard
In “Seen and Heard,” New York’s central role in the fight for women’s suffrage serves as a catalyst for contemporary activism. The multi-media exhibition, educational programs, and artist residencies explore the language and tactics of protest through the arts in order to initiate civic engagement.
Arts CHPG I         $66,000

Seneca

National Womens Hall of Fame
Center for Great Women
This project is phase three of a project that will transform the empty Seneca Knitting Mill into the Center for Great Women – the headquarters of the National Woman’s Hall of Fame. Work will include demolition, construction, interior build-out and site work of the first floor of the Mill, creating 4,200 square feet of habitable space for exhibits.

Funds for this project will be used to support the adaptive rehabilitation of the historic 1844 Seneca Knitting Mill and transform and re-use the empty and dilapidated Mill into the Center for Great Women – the headquarters of the National Women’s Hall of Fame, drawing visitors not only to Seneca Falls, but also to the attractions within the Finger Lakes Region and across New York State.

This project is Phase III-A in the adaptive rehabilitation of the historic 1844 Seneca Knitting Mill. It will transform and re-use the first floor of the empty and dilapidated Mill into 4,200 square feet of habitable and occupiable space for exhibits and cultural activities showcasing the amazing stories of the National Women’s Hall of Fame’s Inductees.

Rehabilitation of the historic 1844 Seneca Knitting Mill, transformation of the dilapidated Mill into the Center for Great Women. This phase includes demolition, construction, interior build out and site work of the first floor.

Canals                   $125,000
MNY                      $250,000
OPRHP                  $300,000
ESD Grants          $500,000

Westchester

Westchester Arts Council Inc
Suffrage Now, A Contemporary Art Exhibition
Suffrage Now is a contemporary art exhibition celebrating New York’s historic role in the path to the 19th Amendment while reinforcing the relevance of Women’s Suffrage today. Artworks consider contemporary events alongside historical to explore what the right to vote means to Americans.
Arts CHPG I         $75,000

The awards listed here are separate from any funding through the Women’s Suffrage Commission established by the State with Lieutenant Governor Kathy Hochul, who spoke at the second suffrage meeting in Waterloo (next to Seneca Falls) last year, as the chair. The commission consists of:

Noemi Gazala, Superintendent of the Women’s Rights National Historical Park (NPS)
Rose Harvey, Commissioner of Parks, Recreation and Historic Preservation
Kathy Hochul, Lieutenant Governor (appointed by Governor Cuomo)
Deborah Hughes, President of the Susan B. Anthony Museum and House
Dr. Jennifer LeMack, New York State Museum Chief Curator of History (appointed by commissioner of education)
Sen. Betty Little (appointed by the temporary president of the Senate)
Christina Lotz, Seneca County Clerk (appointed by minority leader of the Assembly)
Senator Velmanette Montgomery (appointed by minority leader of the Senate)
Kathleen Neville, Board Member of the New York Council for the Humanities
Dare Thompson, President of the League of Women Voters of New York State
Sally Roesch Wagner, Director of the Matilda Joslyn Gage Foundation
Eve Waltermaurer, Director of Research and Evaluation at The Benjamin Center, SUNY New Paltz (appointed by the speaker of the Assembly)
Howard Zemsky, President, CEO and Commissioner of Economic Development
Susan Zimet, President of 2020: Project Women, Inc.

According to the website dated August 22, 2016:  During its inaugural meeting, members of the Commission outlined plans for commemoration events to take place over the next three years that highlight historic achievements for women.

The Commission maintains a calendar of events. The big one upcoming appears to be with the NPS at Seneca Falls:

Join Women’s Rights National Historical Park for Convention Days 2017 July 14-16. This three day event will be filled with exciting speakers, historical actors (Elizabeth Cady Stanton & Frederick Douglass), theater performances, children’s activities, multiple art exhibits, vendors, and so much more.

Apparently there is still time to participate.

We are currently seeking people & organizations who would like to table at the event. We welcome groups with themes of equality, human rights, civil rights, and women’s rights. If you are interested at tabling, please contact Ashley Nottingham at: ashley_nottingham@nps.gov

Related to this event is VoteTilla Week, scheduled for July 16-22, 2017. Participants will travel in canal boats from Seneca Falls to Rochester, concluding with a final celebration at the National Susan B. Anthony Museum & House. Along the way, boats will dock at towns and villages for historic re-enactments, speeches and music, co-hosted by local groups and partner organizations including the Canal Society of New York State, Seward House and the University of Rochester’s Susan B. Anthony Center for Women’s Leadership. This partnership explains why some of the awards by the New York Canal Corporation, which is beginning its bicentennial, are connected to the centennial of women’s suffrage.

My impression is that the funding for the Commission totals in the hundreds of thousands dollars and it serves more as a promoter/coordinator than as an initiator/developer.

I would like to take this opportunity to reiterate my position on history anniversary celebrations. In my opinion, the appropriate state office for the funding and leadership for anniversary events is the Office of the New York State Historian. We are, after all, talking about history anniversaries. Funding for events related to a state anniversary should be through the office directly involved with New York state history. At present in the REDC funding cycle the state historian receives nothing. This omission is due to REDC reporting to the Governor while the cultural organizations, NYS Museum, Archives, and Library, report to the Regents. State history pays the price for these turf wars. Another possibility is for the Regents to create their own counterpart to the REDC process so organizations can apply to the Archives, Library, and Museum for funding. The Regents could even use the same form ESD does.

History Signs: Pathway to the Past

Beverley Robinson House History Marker, photo by Ron Soodalter

I had an epiphany at the annual conference of the Association of Public Historians of New York State (APHNYS). That probably is not a venue normally associated with religious breakthroughs. Nonetheless, I had a vision of history signs and it was good. Standing at the vendor booth for the Pomeroy Foundation,  which funds history signs throughout the state, I realized that our state history signs are like lost sheep wandering around the state but no one knows where.

What do I mean, they are lost? Everyone knows where they are. Everyone sees them. Well, yes, it is true, it is difficult to drive too far along the highways and byways of the Empire State without encountering a history marker, but that doesn’t mean anyone knows where all such signs are.

Let’s review the history of history markers in state courtesy of “Signs of Controversy” by Laurence M. Hauptman from the summer 2014 issue of the NYS Archives Trust bulletin. Here are the critical dates in the history of the history markers:

Stage 1 (1926) The Commemoration of New York’s role in the American Revolution

The State Legislature directs the State Commissioner of Education plan for the commemoration of the 150th anniversary of the American Revolution including a provision for “markers to designate sites that are of historic interest in the colonial, revolutionary, or state formative period.”  So was born the famous gold-rimmed blue markers that continue to line our roads to this very day. Over 200 were erected in the following decade. Hauptman notes that the American Indian did not fare well in the reporting on these signs. An inventory of those signs can be found at the APHNYS website in a downloadable PDF which I just downloaded.

Stage 2 (1939-present) Signs Go Wild

Obviously Hauptman’s term is not a legal or official one. It refers to cessation of state funding for and control over the history markers.  All state controls were eliminated. Anything was possible.

Stage 3 (1960-1966) Historical Area Marker Program

At this point, the State sought to resume control. History markers were to serve dual purposes: education and tourism. Signs were to be located along the New York State Thruway at rest stops and on other major highways. The signs were to be oversized with different font from the original state makers to differentiate them. Imagine that: big state history signs on the highways to promote tourism starting in 1960…and to be controlled by the State Education Department. Does that sound familiar? These signs happened 52 years before I Love NY wrested control of the oversized Path through History signs on the highways from the State Education Department/New York State Museum which originally controlled the project. In trying to understand the shift in responsibility, please keep in mind that the State Education Department reports to the Regents while I Love NY reports to the Governor, not that politics was a factor in any of the decision-making. I did a search on the New York State Museum website and found a documented listing of 139 Historical Area Markers erected in the 1960s.

Stage 4 (1966)

In 1966, the legislature repealed the Historical Area Marker Program. Henceforth, the New York Historic Trust, an advisory group part of the Department of Conservation (now Department of Environmental Conservation). Then in 1972, the legislature shifted the “long-dormant roadside marker program” to the New York State Board for Historic Preservation within the newly-formed Department of Parks, Recreation and Historic Preservation. In the interim, the still extant Office of State History published the Historical Area Markers in New York State guidebook [paperback version of the 1970, publication available on Amazon for $49.99].

Booklet Published in 1970

There still was no state funding. Responsibility for the approval, removal, correction, and funding of history markers remained local.

Stage 5 2014-2015 The Weible Years

Hauptman’s article from 2014 refers to an initiative begun in 2014 by the then State Historian Bob Weible.  The goal was to encourage locally-appointed historians to work cooperatively to coordinate history marker activities and to assume greater responsibility for them. The effort was to be done through APHNYS with the assistance of the Pomeroy Foundation. I did not know this when I had my epiphany. I was aware of a New York State website listing history markers by county. When I looked at it months ago for my own county, Westchester, I found, not surprisingly that Weible was still listed as the contact person even though he was no longer there. When I just looked again, I couldn’t even find the page on the NYS Museum website. I did, however, find a reference to it in Wikipedia under List of New York State Historic Markers.

According to Wikipedia there are over 2800 such signs through 1966 with a breakdown provided by county. One can drill down on each county to obtain a more detailed list with date, location, and inscription. The source for the information was the very webpage I was searching for. When I clicked on the link the response was

Our apologies, but much like the Cohoes Mastodon,
this page is history.

Mastodon NYS Museum
Mastodon NYS Museum

New York Net History Net also has a link to the New York State Museum listing with the same result. That website apparently is not up-to-date as it refers to an upcoming conference in 2004:

State History Interest Project (SHIP) – clubs for middle school and high school students interested in New York State, formerly known as Yorkers.  New clubs are welcome at the next annual convention May 6-8, 2004 in Niagara Falls, NY.

Although not the subject of this post, the Yorkers link leads to:

404 – File or directory not found.

The resource you are looking for might have been removed, had its name changed, or is temporarily unavailable.

What ever happened to this statewide effort to engage students in New York State history? And please don’t say National History Day.

Returning to the history markers, Hauptman advocates for a change in the obviously defunct system that became even worse since his 2014 article. He observes that there is no state agency authorized by the legislature to correct, replace, or remove existing signs.

It’s not as if the State Museum isn’t aware of the situation. On its own website there is a summary of history markers by Philip Lord.  Much of the information parallels the Hauptman article with additional details identifying specific legislation.

Lord provides the following description for the wild years:

In the 1960s & 70s, staff of the Office of State History consulted with the field, primarily via the network of local government historians at the county and town level, and encouraged the installation of historic markers, with SED staff reviewing the proposals. There was no funding, and the relationship with the field was more consultative than regulatory. However, the staff was moderately aggressive in making sure that all persons wishing to erect a marker went through this process, and people were given a letter of approval.

He then notes that:

Unlike many other states, New York State does not currently manage a historical marker program. Instead, local authorities are responsible for the approval, installation, and maintenance of historical markers. Anyone interested in placing or repairing a marker should thus check with appropriate county, city, town, or village historians or officials.

In effect, it is incorrect to refer to the new signs as state signs since the state has no control over them.

There are still new history signs being established all the time. For example:

May 21, 2016 The Margaret Fuller Marker Dedication in Beacon – funding was by the Pomeroy Foundation which seemingly has replaced the state in any overseer role at least for the signs it funds and they do resemble the famous state sign format

August 18, 2016 914 The Sound Recording Studios Historical Marker Dedication where some of the most iconic rock anthems of the 1970s were made, including Bruce Springsteen’s “Born to Run” and Janis Ian’s “At Seventeen.”

October 7, 2016 The Greenwich Village Society for Historic Preservation (GVSHP) placed its ninth plaque (not history marker) at the former home and studio of renowned 20th century sculptor and artist Chiam Gross at 526 LaGuardia Place (at Bleeker Street), now the home of the Renee and Chaim Gross Foundation.

GVSHP Dedication
GVSHP Dedication

Strange as it may seem. there are people interested in history signs the way other people are fascinated by the Kardashians. New York Historic was founded by Matthew Conheady. Its website states the following:

We are not the New York State Office of Parks and Historic Preservation (go there instead). We are not in charge of or responsible for any of the historic sites listed on this website.

We are a band of photographers with an interest in New York State history. The nature photography community, NYFalls.com – Upstate Nature, Wildlife and Photography, owns and operates this website.

What we do

We geographically catalog Historic Sites around the state of New York, and present them online for people to explore. Our database is complemented by beautiful photos taken by talented members of our community.

Why we do it

Just as NYFalls.com has inspired aspiring photographers to get out and tour Upstate New York to capture beautiful waterfall and lake scenes, NYHistoric aims to help people locate these interesting sites, so they can have new photography subjects to explore and learn a bit of local history as well.

We also expect the education and tourism industries to take advantage of our efforts.

We do it all for free, and because we like to.

Another example is:

New York State Historical Markers: It Happened Here

created by Tom Arthur. The last entry is dated September 16, 2016, so it appears to still be functioning.

So what should be done now?

Goal: Create a documented and searchable statewide database of the history markers in New York State starting with the state- sanctioned signs.

  1. The Governor through the Office of the State Historian should ask each county executive/borough president acting through the county historian/borough historian to prepare a list for the county/borough.
  1. The County historian/borough historian should work through the municipal historians and historical societies to create Yorker clubs with the first task to be inventorying the history markers in the municipality.
  1. The inventory should include photographs, then and now if appropriate, GPS information, and a review of the information on the current signs to check for accuracy. It may be necessary to replace some signs with better information.
  1. The New York State Archives/Museum should locate the original applications for state history markers.
  1. The New York State Historian should create a state map and database of the history markers.

 

It might be reasonable to test this at the county level first. For example, in 2015, Otsego County, which does not have a county historian, produced a booklet “Historical Markers of Otsego County and Their Locations” under the auspices of the Otsego County Historical Association. I thank Town of Hartwick municipal historian Carol Goodrich whom I saw at the APHNYS conference where this all began, for mailing me a copy. Now what we need is some state leadership to bring together APHNYS, Pomeroy, NY Historic, NYS Historical Markers, the NYS Archives, and the NYS Museum together to make it happen.

Civil War in New York Historyhostel/Teacherhostel

Experience the Civil War in New York with the new exhibit at the New York State Museum and representatives from related historic sites on Saturday, January 12, 2013 at a free Historyhostel / Teacherhostel event sponsored by the Institute of History, Archaeology, and Education. Continue reading “Civil War in New York Historyhostel/Teacherhostel”

The Greater Hudson Heritage Conference

The Greater Hudson Heritage Network (GHNN) held its annual conference on September 28 at the Henry A. Wallace Visitor Center, Hyde Park. The theme of the conference was “Mining the Museum: Using Your Existing Resources in New Ways” with Executive Director Priscilla Brendler presiding. The meeting was so-well attended I didn’t even have a chance to speak with the all the people I would like to have talked to. The format has been expanded beyond being primarily an awards ceremony to be more like the Museumwise conference with a plenary speaker followed by concurrent sessions but for one day instead of two. Continue reading “The Greater Hudson Heritage Conference”